Glenn Brown has designed this edition, especially published to accompany his major solo exhibition at Tate Liverpool. Brown borrows from art history and popular culture, working from the paintings and sculptures of Dal¡, Auerbach, Rembrandt, science fiction illustrators and many others to investigate the languages of painting and how images are read by the viewer.
Size, colour, surface texture and brushwork are elements by which original works are transformed from the familiar into the alien. Working from books or projecting reproductions onto a blank picture surface, Brown wildly embellishes his source material. Edition of 200.
