In a new approach to the subject, the author rejects the view that the story of abstraction can be traced as a succession if stylistic trends each set within its particular art-historical context. He offers instead readings of specific paintings and sculptures by artists such as Kasimir Malevich, Naum Gabo, Piet Mondrian, and Jackson Pollock, treating them as exemplary of particular tendancies within the overlapping histories of abstraction.
