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Lucian Freud

Two Plants

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About the artwork
Lucian Freud described Two Plants as ‘lots of little portraits of leaves’. Just like many of his portraits of human subjects, this piece was painted over a long time, with meticulous precision. Started in 1977, it wasn’t finished until 1980, during which time the plants underwent many changes, which Freud captures in the painting. The top plant has been identified as Helichrysum petiolarum DC, and the plant at the bottom is Aspidistra elatior Bl.
  • Artist Lucian Freud
  • Artwork Two Plants
  • Exhibition Lucian Freud
  • Date of work 1977-80
  • Credit Original: Oil paint on canvas 1499 x 1200 mm Tate. Purchased 1980 © The Lucian Freud Archive / Bridgeman Images

ABOUT THE ARTIST

Lucian Michael Freud (1922 – 2011) was a British painter and draftsman, and is considered one of the foremost 20th-century portraitists. Although his early work contained surrealist elements, he is best known for his figurative paintings more heavily influenced by realism and intense observation. Most of his models were friends and family members, and this relationship between artist and model, often unsettling or uncomfortable, is a central theme to his work. His reputation for demanding schedules for these models was well established, with one painting taking approximately 2,400 hours to complete and requiring the model to attend all but four evenings of that time.
DELIVERIES AND RETURNS
Delivery times
We aim to deliver custom prints within 2-4 weeks. As each print is handmade to order they take a little longer to prepare. We’ll dispatch your order as soon as it is ready, separately from any other items.
We currently offer free standard delivery on all UK orders over £60. Here’s more information on delivery.
Refunds and returns
As custom prints are made to order, unfortunately we cannot accept returns if you have changed your mind or made a mistake. If we have made a mistake, or there is a problem with your order, then please contact our customer service team at shop@tate.org.uk.
Here’s more information on refunds & returns.
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FREQUENTLY ASKED QUESTIONS

When will my order be delivered?

We aim to deliver your made-to-order custom print within 1-2 weeks for UK orders, and within 2-4 weeks for international delivery. You can see an estimated delivery date on the product page, on the green banner above the size and frame options.

Our custom prints are produced and shipped directly from our print workshop and arrive separately to all other items. You can learn more about delivery here.

I've made a mistake, can I amend my order?

The best thing to do is email us as soon as possible at shop@tate.org.uk or call us on +44 (0)207 887 8888 with your order number, ideally within 24 hours. Please note that as custom prints are made to order, if production has already started, we won’t be able to make any amendments to the print itself, but we can change your delivery name and address if the order has not been dispatched yet.

I've changed my mind, can I cancel my order?

As custom prints are made to order, unfortunately you can’t cancel your order after production has started (typically within 24 hours). If you get in touch with us within 24 hours, our team will check on the status of your order and do whatever they can to help you out. 

Can I return my print?

Because our prints and frames are made to order, custom prints can only be returned if they’re faulty or we’ve made a mistake. If this is the case, please contact us straight away with details and images of the problem, so we can arrange for a refund or replacement for you. You can find further information regarding refunds and returns here.  

More questions? Visit our FAQs page
Gloved hands assembling a black framed art print with care.

About Our Prints

Our custom prints are high-quality, made-to-order fine art print reproductions of Tate collection and exhibition artworks. Available in a choice of sizes and hand-made frames, they’re created using state of the art technology and sustainably sourced materials by our Sussex-based print specialists.
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