Tracey Emin

This limited edition has now sold out.

We have created a waiting list in case of any cancellations. After the orders have been delivered w/c 20 April, we will contact the people on the waiting list to offer the remaining prints in first come first serve order. Email us at shop@tate.org.uk if you would like to be added to the waiting list.

Please note that this edition is available for pre-order and will be despatched from Monday 20 April.

Tracey Emin has generously produced a limited edition lithograph print to coincide with the exhibition, Tracey Emin: A Second Life, 27 Feb 2026 – 31 Aug 2026, at Tate Modern.

A Sleep at home, 2026, portrays a peaceful artist sleeping on the sofa beside one of her cats. Emin drew this intimate scene onto a lithograph plate, which was printed as an edition by master printer, Andrew Curtis, at Counter Editions studio in Margate.

Each artwork is signed and numbered by the artist on the front. Prices of the artwork are liable to change. As a limited edition sells out, prices of the artwork are subject to increase and the price will be clearly indicated.

Sales of this edition are strictly limited to one per customer. Please be advised that multiple orders will be cancelled.

• Artist Tracey Emin
• Artwork A Sleep at home
• Exhibition Tracey Emin: A Second Life
• Dimensions 63 x 56.5 cm
• Material Lithograph print on Somerset Velvet Warm White 400gsm paper
• Edition Limited edition of 125, signed and numbered on the front
• Date of work 2026

Tracey Emin (b. 1963, London UK) is one of the most important contemporary artists of her generation. She was catapulted into the public eye in the 1990s with iconic works like her Turner Prize nominated My Bed, which sparked fierce critical and public debate, challenging what art could be. Emin’s disregard for any separation of the personal and the public, along with her commitment to unapologetic self-expression, came to define a historic moment in British culture and global art history. Through painting, video, textiles, neons, writing, sculpture, and installation, Emin continues to challenge boundaries, using the female body as a powerful tool to explore passion, pain, and healing.

Recent solo exhibitions include, I Loved You Until The Morning, Yale Center for British Art, New Haven, Connecticut (2025), I Followed you to the end, White Cube, London (2024), By the time you see me there will be nothing left, Xavier Hufkens, Brussels (2024), Lovers Grave, White Cube New York (2023), Exorcism of the Last Painting I Ever Made, Faurschou Foundation, New York (2023), A Journey from Death, Carl Freedman Gallery, Margate, UK (2022).

Emin represented Great Britain at the 52nd Venice Biennale in 2007. She has received numerous awards including Damehood for services to the arts, UK (2024), Honorary Doctorate New York Academy of Art, New York (2022), CBE for services to the visual arts, UK (2012), and Honorary Doctorate Royal College of Art, London, UK (2007). Her work is held in public collections around the world. Tracey lives and works in London, Margate, UK and France.