Originally created in 1970, this print is part of Hepworth’s group of screenprint and lithograph work known as ‘Opposing Forms’. This work explores Hepworth’s preoccupation with the harmonious balance and energy found in nature. As a suite of work, ‘Opposing Forms’ does not demonstrate extreme opposites but rather the complementary nature of these opposing forces, the yin and yang, the sun and moon.
November Green 1970
Barbara Hepworth: Sculpture for a Modern World
77.5 x 58.4 cm
Date of work
Screenprint on paper 77.5 x 58.4 cm Tate. Presented by Rose and Chris Prater through the Institute of Contemporary Prints 1975 © Bowness, Hepworth Estate
Born in Wakefield in 1903, Hepworth was a pioneer of abstract sculpture. Although her distinctive style was abstract, the forms and shapes in her work were based on observation of the natural world such as the Cornish landscape and motherhood, rather than mystic or romantic themes. During the Second World War she moved to St Ives with her husband, artist Ben Nicholson and her children, where she became especially active in the Modernist artist movement. She remained strongly linked with St Ives until her death in 1975.