In 1931, Nicholson began a relationship with the sculptor Barbara Hepworth, making several portraits of her during the years that followed. This linocut from 1933 was made the year the couple travelled to Paris and met artists such as Picasso and Georges Braque. The influence of cubism can clearly be seen in the portrait’s multiple perspectives, simplified linear shapes and emphasis on the two-dimensional surface of the paper.
1933 (Profile), 1933
Original: Linocut print on paper 60 x 45 cm © Angela Verren Taunt 2015. All rights reserved, DACS
One of the leading figures in British twentieth century modernism, Ben Nicholson was a pioneer of abstract art and a key figure of the St Ives School. Born in 1894, he married Winifred Nicholson in 1920 and travelled widely throughout Europe. His work was influenced by pivotal movements in European art such as post-impressionism, cubism and constructivism, though he forged his own distinctly personal response to these genres. By the 1930s his work was almost entirely abstract, and in 1933 he created his first abstract reliefs – three dimensional painted compositions, possibly influenced by his second marriage to the sculptor Barbara Hepworth.